The Oscars 2017! or, something like that

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Ugh, these Oscars… the Best Picture nominees (except for Moonlight) this year are boring. The individual acting and directing nominees (except for Moonlight’s cast and director) are uninteresting and tired. The show is just going to be a sling of overused jokes about a toupeed orangutan all of us are tired of thinking about . I frankly care less about who wins or loses this year (but Moonlight is great, it should win) more than any year in the past.

So here’s just ONE THING you should keep in the back of your troubled minds while you’re sitting on your couch watching this charade thinking about the 6th Mass Extinction that scientists keep mentioning and wondering when it will finally take all of humanity with it:

The Real BEST PICTURE Nominees are in the BEST DOCUMENTARY CATEGORY:

I just made 3 straight not-subtle references to Moonlight if you were paying attention, but even that movie is nothing compared to the merciless bitch-slap across the face the Best Documentary category has in store for you. These movies are challenging, frustrating, the “I want to throw my computer against the wall because what I just watched pissed me off to no end” sort of great realistic, unapologetic and volcanic documentation of LIFE.
I mentioned in my Best Films of 2016 list that O.J.: Made in America was the #1 movie of last year. That hasn’t changed, and I wrote enough about it here to not have to go into an explanation:

But look at the other 4.

The 13th is a film by Ana DuVernay in multiple parts on the epidemic of unlawful and dangerous incarceration of black people throughout American history. There is zero excuse for you not to watch it considering it is on Netflix right now and I know all of you send them $7 straight out of your paycheck every month. Stop wasting that money watching F.R.E.I.N.D.S. for the millionth fucking time and support the voice of a filmmaker in DuVernay who is doing important work.

I Am Not Your Negro is probably the best title for a movie since Leos Carax’s Pola X (the explanation for that film title is here). On the manuscripts of James Baldwin, the film runs through his thoughts on and furious anger over the civil rights violations of a nation coming to grips with its own horrifically racist past, present, and if nothing changes, future.

The Italian documentary winner of the Golden Bear at the Berlin Film Festival, Gianfranco Rossi’s Fucoammare (Fire at Sea), showcases the lives of immigrants from Northern Africa who sail to find solace in Europe. The film’s raw footage gives the depth, danger, and peril of the journey of many of these individuals who understand the risks of death and proceed at all costs.

The final film is the least political, but still important. Roger Ross Williams’ Life, Animated showcases the coming of age a young boy with autism, who escapes the isolation and discrimination from society and learns to cope with his disability through his love for Disney movies. Most of our childhoods were defined by the Disney Renaissance, but for some, it wasn’t just a matter of nostalgia. This doc is a great testament to how cinema can change a life.

Watch these movies. If you have watched ANYTHING from the year 2016, makes sure you watch these:

OJ: Made in America (on WatchESPN for free)

The 13th (on Netflix)

I Am Not Your Negro (on Netflix)

Fuocoammare (Fire at Sea) (on Netflix)

Life, Animated (on Amazon Prime)

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